Lessig, Fleischer mashed up
This is a remix from a great post on Rasmus Fleischers blog, Copyriot, and from my script from a panel debate entitled ”Intellectual Property is the Oil of the 21st Century” at Danmarks Sociale Forum. The swedish quotes from Copyriot are translated into english using Systran. Fotos by Mark Knudsen / Monsun - thanks!
"The program blade had to be understood to its formulation signalled colourful public party for cheerful smile activists, in accordance with väletablerad World social Forum-estetik and the traditional slogan “another world is possible. The party atmosphere has seldom felt more absent than among these (certainly colourful) tents, uppsmällda between gråmulen sky and grådaskig asphalt. Around them concerned itself, that autumn leaf stem vinden, scattered visitors representing different fractions within the Danish vänstern.
Today’s first speaker is one of my personal heroes. I first met Larry three years ago, when I did an interview with him for Danish Radio. I had read his book ”FREE CULTURE” which deeply inspired me – so much that after the interview, I decided to become an activist and join the movement which continues to fascinate me, not least by its growth and inventiveness. This movement is more than just Creative Commons. It is a vision of a society that becomes richer, the more information and culture is shared – not by putting up fences and walls. Thanks for coming all the way here to speak! Please welcome professor Lessig.
"The seminar, that was amused a swine cold tent, the overall fifties audiences. Lawrence Lessig drove as common one well inarbetad audiovisuell presentation about how the copyright's expanded in addition to your original aim and today hampers samtidskommentarer in the form of remixkultur. Divides each identical with earlier presentations. Other was new, as a fast dekonstruktion of what concept “copy” mean in digital contexts - something I actually alone had intended take up with almost entirely identical examples!"
The second speaker is Rasmus Fleischer. Rasmus is sometimes dubbed the pirate philosopher. He is a key player in the powerful swedish pro-piracy movement. If you imagine a computer game like World of Warcraft - and Hollywood, in this game, as a huge, fire-breathing dragon – then Rasmus’ friends from the filesharing site The Pirate Bay would be up front beating away with their two-handed swords – while Rasmus would be the wizard casting spells from the distance. Rasmus, through his acticles and his blog, copyriot.se, is the brain in the swedish pro-piracy movement.
"Must say that Lawrence Lessigs arguments become increasingly well thought-out. Creative Commons is presented no longer as an universal solution on the copyright's crisis. The the argumentation's only proper problem is enough that it stands with both the feet in a very specific American legal tradition. After his forty minutes, the microphone went to me, as twenty devoted minutes to that - quite improvized and almost huttrande of chill - to try to go furthermore and to deepen some of his arguments. Little straggling, not special polemiskt, but quite konstruktivt."
"One trotskist (?) took to orda and declared that the solution on upphovsrättsproblemet was that “nationalisera the cultural industry and let the State to pay all artists”. Chatter about förstockad sights on culture that a homogeneous production of things. Believes it became quite clear that it there this light radical yngling that, about someone, represented upphovsrättsdogmatismens culture sights in the premise. Little kul. Late left we fast Denmark's social forums, this stem frozen Babylon, and drug to Malmö".
On the panel was also Johan Söderberg, whose approach can be summed up like this: "I clear rights for commercial productions, and don't care about rights for the rest"). OK then.
Lessig was visibly pleased to finally meet Söderberg, whose Bush/Blair love duet is one of Lessigs favorite examples of remix culture. And while Söderberg was very difficult to get moving on the panel (or maybe it was just me as a moderator), he completely made me forget all about it with a GREAT VJ set at night. A strange day with the danish left. A shame, really that only about 60 people made it inside the freezing tent.
This is a remix from a great post on Rasmus Fleischers blog, Copyriot, and from my script from a panel debate entitled ”Intellectual Property is the Oil of the 21st Century” at Danmarks Sociale Forum. The swedish quotes from Copyriot are translated into english using Systran. Fotos by Mark Knudsen / Monsun - thanks!
"The program blade had to be understood to its formulation signalled colourful public party for cheerful smile activists, in accordance with väletablerad World social Forum-estetik and the traditional slogan “another world is possible. The party atmosphere has seldom felt more absent than among these (certainly colourful) tents, uppsmällda between gråmulen sky and grådaskig asphalt. Around them concerned itself, that autumn leaf stem vinden, scattered visitors representing different fractions within the Danish vänstern.

Today’s first speaker is one of my personal heroes. I first met Larry three years ago, when I did an interview with him for Danish Radio. I had read his book ”FREE CULTURE” which deeply inspired me – so much that after the interview, I decided to become an activist and join the movement which continues to fascinate me, not least by its growth and inventiveness. This movement is more than just Creative Commons. It is a vision of a society that becomes richer, the more information and culture is shared – not by putting up fences and walls. Thanks for coming all the way here to speak! Please welcome professor Lessig.
"The seminar, that was amused a swine cold tent, the overall fifties audiences. Lawrence Lessig drove as common one well inarbetad audiovisuell presentation about how the copyright's expanded in addition to your original aim and today hampers samtidskommentarer in the form of remixkultur. Divides each identical with earlier presentations. Other was new, as a fast dekonstruktion of what concept “copy” mean in digital contexts - something I actually alone had intended take up with almost entirely identical examples!"
The second speaker is Rasmus Fleischer. Rasmus is sometimes dubbed the pirate philosopher. He is a key player in the powerful swedish pro-piracy movement. If you imagine a computer game like World of Warcraft - and Hollywood, in this game, as a huge, fire-breathing dragon – then Rasmus’ friends from the filesharing site The Pirate Bay would be up front beating away with their two-handed swords – while Rasmus would be the wizard casting spells from the distance. Rasmus, through his acticles and his blog, copyriot.se, is the brain in the swedish pro-piracy movement.
"Must say that Lawrence Lessigs arguments become increasingly well thought-out. Creative Commons is presented no longer as an universal solution on the copyright's crisis. The the argumentation's only proper problem is enough that it stands with both the feet in a very specific American legal tradition. After his forty minutes, the microphone went to me, as twenty devoted minutes to that - quite improvized and almost huttrande of chill - to try to go furthermore and to deepen some of his arguments. Little straggling, not special polemiskt, but quite konstruktivt."
"One trotskist (?) took to orda and declared that the solution on upphovsrättsproblemet was that “nationalisera the cultural industry and let the State to pay all artists”. Chatter about förstockad sights on culture that a homogeneous production of things. Believes it became quite clear that it there this light radical yngling that, about someone, represented upphovsrättsdogmatismens culture sights in the premise. Little kul. Late left we fast Denmark's social forums, this stem frozen Babylon, and drug to Malmö".On the panel was also Johan Söderberg, whose approach can be summed up like this: "I clear rights for commercial productions, and don't care about rights for the rest"). OK then.
Lessig was visibly pleased to finally meet Söderberg, whose Bush/Blair love duet is one of Lessigs favorite examples of remix culture. And while Söderberg was very difficult to get moving on the panel (or maybe it was just me as a moderator), he completely made me forget all about it with a GREAT VJ set at night. A strange day with the danish left. A shame, really that only about 60 people made it inside the freezing tent.

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